The conference of Monsieur Le Brun, cheif [sic] painter to the French King, ... upon expression, general and particular. Translated from the French, and adorned with 43 copper-plates.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
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British Library

T116477

Dedication signed by the translator : J. Smith. A variant lacks the article 'The' at the beginning of the title and also the second set of plates containing The characters of the passions .

London : printed for John Smith, Edward Cooper, and David Mortier, 1701. [14],17,[1],47,[1]p.,plates ; 12